Vehicle film

Your pick is saved as your default for next time.

A front three-quarter first (the driver's side, front-left, unlocks the most scenes); add a rear three-quarter from each side and a rear to unlock scenes that drive past the camera (our SUV scene shows the passenger side and the rear). The film never shows a side of your car you did not photograph, and the left and right sides are different sides; it never puts your car on another kind of vehicle.

As the dealer describes it, e.g. 'Portimao Blue'

Price drop only

Defaults to your brand currency

Motion scene (mode "scene")

Director's choiceThe creative director picks the scene for this car's buyer. "Try another direction" produces the next one.Desert trailDunes, rock and dust: the truck in command of hard ground.Forest streamA green forest track and a splashing stream crossing.Coast highwayA scenic highway at golden hour, the car running free.Mountain passA winding mountain road, the SUV leaning into the bend.

The film language

Director's choiceThe creative director reads this car's buyer and picks the film language; one film. "Try another direction" produces the next one.Symmetrical storybookThree shots, 4–5 s; metronomic cuts; deadpan.Neo-noir nightThree shots, 5 s each; long holds, one slow move; the cut lands on a flicker.Lonely AmericanaThree shots, 5 s each; patient; the editorial line sits in a long hold.Blockbuster one-sheetThree shots, 4–5 s; building; the title lands on the last.Automotive monthly coverThree shots, 5 s; glossy and even; the cover line on the first.ExpeditionThree to four shots, 4–5 s each; steady, unhurried; one strong move among holds.Luxury editorialThree shots, 5 s each; glacial; one sweep; generous negative space for type.

Logo, colors and contacts the piece will carry.